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Rutland
Walker
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sales weasel by day, father of three beautiful boys, and
husband to the sassy, sultry Susan Walker by night, Rutland
G. “Rut” Walker was reared on the middle-class mean
streets of L.A. (Lower Alabama) a bank president’s son.
The son of a part-time Dixieland jazz coronet player,
maternal grandson son of a Tennessee farmer with a love for
old-time gospel music and philosophy, and paternal grandson
of a classically trained pianist who once penned the alma
mater for Judson College, Rut grew up in a very musical
family, learning to sing harmony by osmosis during family
reunion sing-a-longs on a screened-in porch.
The
self-taught mandolinist doesn’t have a lick of formal
training, but perfect pitch, a deep love and history with
3-part harmony, and a penchant for telling corny jokes led
him to eventually fill-in on a few gigs with the DejaBlue
Grass Band. The
whole thing began after fate brought him to a party in 2004.
“I strolled up to a
shindig at Joey’s house one October night.
Joey, Mark, and I hit it off like brothers, howlin’
at the moon, and makin’ sweet music in Joey’s garage
till 4am! We were nailing 3-part harmonies like we’d been
together for a decade, and I knew right then we had
something special, and I think they did, too. They already
had a guitar player (Joey), so I had to figure something out
to keep pickin’ with’em. I had a Tacoma mandolin my wife gave me earlier that year,
but I just knew enough to strum along. Soon after, we began
tightening things up, and honing what has become our
signature gospel-pop DejaBlueGrass sound.
“I’ve
got too many musical influences to mention from Dylan to the
Demopolis Harmonettes, but the biggest single musical
influence on my life has always been my Uncle John
Cunningham, who taught me as a youngster to appreciate the
organic beauty of making 3-part harmony.
Our vocals are really what we hang our hat on as a
band, and most of the harmony guidance I bring, I owe to
Uncle John.”
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